Selected Works

  • Gwen John, Still Life with a Prayer Book, Shawl, Vase of Flowers and Inkwell, late 1920s, oil on canvas, Yale Center for British Art, Paul Mellon Collection

    Gwen John, Still Life with a Prayer Book, Shawl, Vase of Flowers and Inkwell, late 1920s, oil on canvas, Yale Center for British Art, Paul Mellon Collection
  • James Seymour, The Chaise Match Run on Newmarket Heath on Wednesday the 29th of August 1750, 1750, oil on canvas, Yale Center for British Art, Paul Mellon Collection

    James Seymour, The Chaise Match Run on Newmarket Heath on Wednesday the 29th of August 1750, 1750, oil on canvas, Yale Center for British Art, Paul Mellon Collection
  • Archibald Skirving, Lady Pringle, née Emilia Anne Macleod, 1815, pastel on paper, Yale Center for British Art, Paul Mellon Fund, in honor of Jane and Richard C. Levin, President of Yale University (1993–2013)

    Archibald Skirving, Lady Pringle, née Emilia Anne Macleod, 1815, pastel on paper, Yale Center for British Art, Paul Mellon Fund, in honor of Jane and Richard C. Levin, President of Yale University (1993–2013)
  • Thomas Girtin, Jedburgh Abbey from the South East, 1800, watercolor, gouache, and graphite on paper, Yale Center for British Art, Paul Mellon Fund

    Thomas Girtin, Jedburgh Abbey from the South East, 1800, watercolor, gouache, and graphite on paper, Yale Center for British Art, Paul Mellon Fund
  • John Golding, H.20 (Veronese Blue), 1983–84, acrylic on canvas, Gift of the John Golding Artistic Trust, © John Golding Artistic Trust 2017

    John Golding, H.20 (Veronese Blue), 1983–84, acrylic on canvas, Gift of the John Golding Artistic Trust, © John Golding Artistic Trust 2017
  • Shaykh Zayn al-Din, Asian Openbill Stork (Anastomus oscitans), 1781, graphite and watercolor, Yale Center for British Art, Paul Mellon Fund

    Shaykh Zayn al-Din, Asian Openbill Stork (Anastomus oscitans), 1781, graphite and watercolor, Yale Center for British Art, Paul Mellon Fund
  • Naval woolwork, 1891, embroidered panel incorporating a tintype, wool, and silk on linen backing, Yale Center for British Art, Paul Mellon Fund

    Naval woolwork, 1891, embroidered panel incorporating a tintype, wool, and silk on linen backing, Yale Center for British Art, Paul Mellon Fund
  • Barbara Ciurej and Lindsay Lochman, “Betty” from Natural History, Milwaukee, 2014, cyanotype over digital print, Yale Center for British Art, acquired with funds from the Bequest of Daniel S. Kalk

    Barbara Ciurej and Lindsay Lochman, “Betty” from Natural History, Milwaukee, 2014, cyanotype over digital print, Yale Center for British Art, acquired with funds from the Bequest of Daniel S. Kalk
  • James Green, “No. 7. Rana esculenta” from Sciagraphs of British Batrachians and Reptiles, Wallington, Surrey, 1897, albumen print mounted on card, Yale Center for British Art, Paul Mellon Fund

    James Green, “No. 7. Rana esculenta” from Sciagraphs of British Batrachians and Reptiles, Wallington, Surrey, 1897, albumen print mounted on card, Yale Center for British Art, Paul Mellon Fund
  • “A School Room” from Album of Domestic Interiors and Figures in Fashionable Dress, ca. 1860, watercolor, pen, and black ink, Yale Center for British Art, Paul Mellon Fund

    “A School Room” from Album of Domestic Interiors and Figures in Fashionable Dress, ca. 1860, watercolor, pen, and black ink, Yale Center for British Art, Paul Mellon Fund
  • Eliot Hodgkin, Painswick Churchyard No. 1, 1947, tempera on board, Yale Center for British Art, Estate of Brian Sewell

    Eliot Hodgkin, Painswick Churchyard No. 1, 1947, tempera on board, Yale Center for British Art, Estate of Brian Sewell
  • Sir William Orpen, Evelyn Marshall Field (Mrs. Marshall Field III), ca. 1921, oil on canvas, Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

    Sir William Orpen, Evelyn Marshall Field (Mrs. Marshall Field III), ca. 1921, oil on canvas, Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948