Selected Works

  • Charles Brooking, Shipping in the English Channel, ca. 1755, oil on canvas, Yale Center for British Art, Paul Mellon Collection

    Charles Brooking, Shipping in the English Channel, ca. 1755, oil on canvas, Yale Center for British Art, Paul Mellon Collection
  • Willem van de Velde the Younger, Sea Battle of the Anglo-Dutch Wars, ca. 1700, oil on canvas, Yale Center for British Art, Paul Mellon Collection

    Willem van de Velde the Younger, Sea Battle of the Anglo-Dutch Wars, ca. 1700, oil on canvas, Yale Center for British Art, Paul Mellon Collection
  • Samuel Scott, The Thames and the Tower of London Supposedly on the King’s Birthday, 1771, oil on canvas, Yale Center for British Art, Paul Mellon Collection

    Samuel Scott, The Thames and the Tower of London Supposedly on the King’s Birthday, 1771, oil on canvas, Yale Center for British Art, Paul Mellon Collection
  • John Cleveley the Younger, A Calm Day in the Anchorage, undated, watercolor, graphite, and pen and gray ink on paper, Yale Center for British Art, The U Collection, in appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

    John Cleveley the Younger, A Calm Day in the Anchorage, undated, watercolor, graphite, and pen and gray ink on paper, Yale Center for British Art, The U Collection, in appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
  • Nicholas Pocock, The Ranger, Private Ship of War, with her Prizes, 1780, pen and black ink over graphite with gray wash on cream laid paper, Yale Center for British Art, Paul Mellon Collection

    Nicholas Pocock, The Ranger, Private Ship of War, with her Prizes, 1780, pen and black ink over graphite with gray wash on cream laid paper, Yale Center for British Art, Paul Mellon Collection
  • Dominic Serres, The Capture of Chandernagore, March 1757, 1771, oil on canvas, National Maritime Museum, Greenwich, London, Greenwich Hospital Collection

    Dominic Serres, The Capture of Chandernagore, March 1757, 1771, oil on canvas, National Maritime Museum, Greenwich, London, Greenwich Hospital Collection
  • Charles Brooking, A Lugger and a Smack in Light Airs, ca. 1750, oil on copper, Yale Center for British Art, Paul Mellon Collection

    Charles Brooking, A Lugger and a Smack in Light Airs, ca. 1750, oil on copper, Yale Center for British Art, Paul Mellon Collection
  • Peter Monamy, An English Royal Yacht Standing Offshore in a Calm, ca. 1730, oil on canvas, Yale Center for British Art, The U Collection, in appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

    Peter Monamy, An English Royal Yacht Standing Offshore in a Calm, ca. 1730, oil on canvas, Yale Center for British Art, The U Collection, in appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
  • Pierre-Charles Canot, print made after Thomas Milton, after John Cleveley the Younger, Geometrical Plan of his Majesty’s Dockyard, near Plymouth, 1756, line engraving on paper, Yale Center for British Art, Paul Mellon Collection

    Pierre-Charles Canot, print made after Thomas Milton, after John Cleveley the Younger, Geometrical Plan of his Majesty’s Dockyard, near Plymouth, 1756, line engraving on paper, Yale Center for British Art, Paul Mellon Collection
  • J. M. W. Turner, The Victory Returning from Trafalgar, in Three Positions, ca. 1806, oil on canvas, Yale Center for British Art, Paul Mellon Collection

    J. M. W. Turner, The Victory Returning from Trafalgar, in Three Positions, ca. 1806, oil on canvas, Yale Center for British Art, Paul Mellon Collection
  • Nicholas Pocock, The Brunswick and the Vengeur du Peuple at the Battle of the First of June, 1794, oil on canvas, 1795, National Maritime Museum, Greenwich, London, Caird Collection

    Nicholas Pocock, The Brunswick and the Vengeur du Peuple at the Battle of the First of June, 1794, oil on canvas, 1795, National Maritime Museum, Greenwich, London, Caird Collection
  • Samuel Atkins, Men-of-War and other Shipping on the Thames (most probably at Deptford), undated, watercolor and pen and black ink and graphite on cream wove paper, Yale Center for British Art, Paul Mellon Collection

    Samuel Atkins, Men-of-War and other Shipping on the Thames (most probably at Deptford), undated, watercolor and pen and black ink and graphite on cream wove paper, Yale Center for British Art, Paul Mellon Collection
  • Unknown maker, model of the Coronation, 1677, boxwood, gold leaf, japanning, mica, brass, and varnish, The Kriegstein Collection

    Unknown maker, model of the Coronation, 1677, boxwood, gold leaf, japanning, mica, brass, and varnish, The Kriegstein Collection
  • Samuel Scott, Vice Admiral Sir George Anson’s Victory off Cape Finisterre, 1749, oil on canvas, in a frame by (perhaps) Issac Gosset (rococo trophy frame, mid-eighteenth century, carved wood, later gilding over original gilding), Yale Center for British Art, Paul Mellon Collection

    Samuel Scott, Vice Admiral Sir George Anson’s Victory off Cape Finisterre, 1749, oil on canvas, in a frame by (perhaps) Issac Gosset (rococo trophy frame, mid-eighteenth century, carved wood, later gilding over original gilding), Yale Center for British Art, Paul Mellon Collection