Selected Works

  • Unknown artist (Dutch School), The Paston Treasure, ca. 1663, oil on canvas, Norwich Castle Museum & Art Gallery, Norwich, UK, courtesy of Norfolk Museums Service

    Unknown artist (Dutch School), The Paston Treasure, ca. 1663, oil on canvas, Norwich Castle Museum & Art Gallery, Norwich, UK, courtesy of Norfolk Museums Service
  • Unknown artist (English), Pair of Flagons, 1598, silver gilt, cast, chased, engraved, and pricked, Untermyer Collection, courtesy of the Metropolitan Museum of Art, New York

    Unknown artist (English), Pair of Flagons, 1598, silver gilt, cast, chased, engraved, and pricked, Untermyer Collection, courtesy of the Metropolitan Museum of Art, New York
  • Unknown artist (Dutch), Nautilus cup, ca. 1630–60, Nautilus pompilius shell, silver gilt, with auricular-style mount (original mount, but shell replaced), courtesy of the Rijksmuseum, Amsterdam

    Unknown artist (Dutch), Nautilus cup, ca. 1630–60, Nautilus pompilius shell, silver gilt, with auricular-style mount (original mount, but shell replaced), courtesy of the Rijksmuseum, Amsterdam
  • Attributed to Nicolaes de Grebber, Nautilus cup, 1592, Nautilus pompilius shell, silver gilt, glass, and enamel, Collection Museum Het Prinsenhof, Delft, Acquired with the support of the Vereniging Rembrandt, courtesy of Museum Het Prinsenhof, Delft

    Attributed to Nicolaes de Grebber, Nautilus cup, 1592, Nautilus pompilius shell, silver gilt, glass, and enamel, Collection Museum Het Prinsenhof, Delft, Acquired with the support of the Vereniging Rembrandt, courtesy of Museum Het Prinsenhof, Delft
  • Attributed to the workshop of Stephen Pilcherd and Anthony Hatch, Cup with strombus shell, ca. 1660, Lobatus goliath shell, brass, and enamel, Norwich Castle Museum & Art Gallery, Norwich, UK, courtesy of Norfolk Museums Service

    Attributed to the workshop of Stephen Pilcherd and Anthony Hatch, Cup with strombus shell, ca. 1660, Lobatus goliath shell, brass, and enamel, Norwich Castle Museum & Art Gallery, Norwich, UK, courtesy of Norfolk Museums Servicel
  • Unknown artists (Gujarati and English), Mother-of-Pearl Flask, first half of the seventeenth century, with mounts, ca. 1650–60, mother-of-pearl from the Turbo marmoratus (assembled in Gujarat), silver gilt (mounted in London), private collection, London, photo by Jon Stokes

    Unknown artists (Gujarati and English), Mother-of-Pearl Flask, first half of the seventeenth century, with mounts, ca. 1650–60, mother-of-pearl from the Turbo marmoratus (assembled in Gujarat), silver gilt (mounted in London), private collection, London, photo by Jon Stokes
  • Unknown artist (Florentine), Pietre dure tabletop, ca. 1625, with coats of arms, 1638, stone inlay, including lapis lazuli, red jasper, agate, and chalcedony, on a ground of black Belgian marble, private collection

    Unknown artist (Florentine), Pietre dure tabletop, ca. 1625, with coats of arms, 1638, stone inlay, including lapis lazuli, red jasper, agate, and chalcedony, on a ground of black Belgian marble, private collection
  • Attributed to the Master of The Paston TreasureMonkeys and Parrots, ca. 1660s, oil on canvas, Collection of Glen Dooley, New York

    Attributed to the Master of The Paston Treasure, Monkeys and Parrots, ca. 1660s, oil on canvas, Collection of Glen Dooley, New York
  • Unknown artist (Dutch), Sir William Paston, ca. 1643–44, oil on canvas, Felbrigg Hall, The Windham Collection (National Trust)

    Unknown artist (Dutch), Sir William Paston, ca. 1643–44, oil on canvas, Felbrigg Hall, The Windham Collection (National Trust)
  • Unknown taxidermist, Nile crocodile (Crocodylus niloticus), mid-twentieth century, Yale Peabody Museum of Natural History

    Unknown taxidermist, Nile crocodile (Crocodylus niloticus), mid-twentieth century, Yale Peabody Museum of Natural History
  • Attributed to the Master of the Legend of the Magdalen (Flemish), The Seven Sorrows of the Virgin Mary or The Ashwellthorpe Triptych, ca. 1519, Norwich Castle Museum & Art Gallery, Norwich, UK, courtesy of Norfolk Museums Service

    Attributed to the Master of the Legend of the Magdalen (Flemish), The Seven Sorrows of the Virgin Mary or The Ashwellthorpe Triptych, ca. 1519, Norwich Castle Museum & Art Gallery, Norwich, UK, courtesy of Norfolk Museums Service
  • Castrucci workshop, Collector’s cabinet, ca. 1610, Macassar ebony with ebonized and gilded wood, and pietre dure, Victoria and Albert Museum, London, Gilbert Collection

    Castrucci workshop, Collector’s cabinet, ca. 1610, Macassar ebony with ebonized and gilded wood, and pietre dure, Victoria and Albert Museum, London, Gilbert Collection
  • Josias Jolly, Enamel-cased watch, ca. 1635–42, gold, enamel, gilt brass, steel, and glass, Collection of Simon Bull, England

    Josias Jolly, Enamel-cased watch, ca. 1635–42, gold, enamel, gilt brass, steel, and glass, Collection of Simon Bull, England
  • Unknown maker, Bass viol, ca. 1640–65, maple, spruce, and gut, The Metropolitan Museum of Art, New York

    Unknown maker, Bass viol, ca. 1640–65, maple, spruce, and gut, The Metropolitan Museum of Art, New York
  • Unknown artist, Medusa cameo ring, ca. 1580, white agate set in gold and enamel, Victoria and Albert Museum, London, Salting Bequest

    Unknown artist, Medusa cameo ring, ca. 1580, white agate set in gold and enamel, Victoria and Albert Museum, London, Salting Bequest
  • Recipe book containing medical, chemical, and household recipes and formulas, ca. 1659–83, by Robert Paston, first Earl of Yarmouth (1631–1683), James Marshall and Marie-Louise Osborn Collection and the Beinecke Rare Book and Manuscript Library, Yale University

    Recipe book containing medical, chemical, and household recipes and formulas, ca. 1659–83, by Robert Paston, first Earl of Yarmouth (1631–1683), James Marshall and Marie-Louise Osborn Collection and the Beinecke Rare Book and Manuscript Library, Yale University