Selected Works

  • Print made by John Martin, The Deluge, 1828, mezzotint with etching; engraver’s proof on paper, Yale Center for British Art, Paul Mellon Collection

    Print made by John Martin, The Deluge, 1828, mezzotint with etching; engraver's proof on paper, Yale Center for British Art, Paul Mellon Collection
  • J. M. W. Turner, Yarmouth Sands, ca. 1840, watercolor, graphite, and scraping out on paper, Yale Center for British Art, Paul Mellon Collection

    J. M. W. Turner, Yarmouth Sands, ca. 1840, watercolor, graphite, and scraping out on paper, Yale Center for British Art, Paul Mellon Collection
  • Frederick Rosenberg, after James Pollard, The Mail Coach in a Flood, 1827, etching and aquatint with hand coloring in watercolor on paper, Yale Center for British Art, Paul Mellon Collection

    Frederick Rosenberg, after James Pollard, The Mail Coach in a Flood, 1827, etching and aquatint with hand coloring in watercolor on paper, Yale Center for British Art, Paul Mellon Collection
  • Alfred William Hunt, Study for Tynemouth Pier—Lighting the Lamps at Sundown, ca. 1863, brown wash with scraping on paper, Yale Center for British Art, Paul Mellon Fund

    Alfred William Hunt, Study for Tynemouth Pier—Lighting the Lamps at Sundown, ca. 1863, brown wash with scraping on paper, Yale Center for British Art, Paul Mellon Fund
  • John Goto, Deluge (High Summer portfolio), 2000–2001, giclée print on Somerset archival paper, Yale Center for British Art, Friends of British Art Fund, courtesy of the artist and Dominique Fiat, Paris, © John Goto, photo by Richard Caspole

    John Goto, Deluge (High Summer portfolio), 2000–2001, giclée print on Somerset archival paper, Yale Center for British Art, Friends of British Art Fund, courtesy of the artist and Dominique Fiat, Paris, © John Goto, photo by Richard Caspole