Selected Works

  • George Kirkpatrick, designer and binder of The Neale M. Albert Collection of Miniature Designer Bindings; A Catalog of an Exhibition Held at the Grolier Club, September 13–November 4, 2006, by Neale M. Albert (New York: Grolier Club, 2006), bound in 2008, leather binding with leather onlays and gold tooling, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Richard Caspole

    George Kirkpatrick, designer and binder of The Neale M. Albert Collection of Miniature Designer Bindings; A Catalog of an Exhibition Held at the Grolier Club, September 13–November 4, 2006,by Neale M. Albert (New York: Grolier Club, 2006), bound in 2008, leather binding with leather onlays and gold tooling, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Richard Caspole
  • George Kirkpatrick, designer and binder of The Tempest, by William Shakespeare (Canton, NY: Caliban Press, 2001), bound in 2013, leather binding, with leather onlays, and silver and stainless-steel wire, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Tom Grill

    George Kirkpatrick, designer and binder of The Tempest, by William Shakespeare (Canton, NY: Caliban Press, 2001), bound in 2013, leather binding, with leather onlays, and silver and stainless-steel wire, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Tom Grill
  • Hannah Brown, designer and binder of Lines, by William Wordsworth (Tintern, Monmouthshire, Wales: The Old Stile Press, 2002), bound in 2018, goatskin binding, with leather and suede onlays, embroidery, gold wire, and blind and carbon tooling, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Hannah Brown, UK

    Hannah Brown, designer and binder of Lines, by William Wordsworth (Tintern, Monmouthshire, Wales: The Old Stile Press, 2002), bound in 2018, goatskin binding, with leather and suede onlays, embroidery, gold wire, and blind and carbon tooling, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Hannah Brown, UK
  • Derek Hood, designer and binder of Shakespeare’s Comedy of Twelfth NightorWhat You Will by William Shakespeare, with illustrations by W. Heath Robinson (London: Hodder and Stoughton, 1908), bound in 2015, goatskin binding, with leather onlays, tooling in palladium, gold, and white gold, © D. Hood, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Richard Caspole

    Derek Hood, designer and binder of Shakespeare’s Comedy of Twelfth Night, or, What You Will by William Shakespeare, with illustrations by W. Heath Robinson (London: Hodder and Stoughton, 1908), bound in 2015, goatskin binding, with leather onlays, tooling in palladium, gold, and white gold, © D. Hood, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Richard Caspole
  • Michael Wilcox, designer and binder of “The Poet of Them All”: William Shakespeare and Miniature Designer Bindings from the Collection of Neale and Margaret Albert, edited by Elisabeth Fairman (New Haven: Yale Center for British Art, 2016), bound in 2019, balancing spine, with tongue-in-slot board attachment, covered in scarf-joined goatskin, with leather onlays, gold tooling, vintage endpapers of Cockerell marbling (1953), top-edge gilding, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Richard Caspole

    Michael Wilcox, designer and binder of “The Poet of Them All”: William Shakespeare and Miniature Designer Bindings from the Collection of Neale and Margaret Albert, edited by Elisabeth Fairman (New Haven: Yale Center for British Art, 2016), bound in 2019, balancing spine, with tongue-in-slot board attachment, covered in scarf-joined goatskin, with leather onlays, gold tooling, vintage endpapers of Cockerell marbling (1953), top-edge gilding, Collection of Margaret and Neale Albert, Yale JD 1961
  • Susan Allix, designer and binder of Silver (London: Susan Allix, 2005), hand-printed miniature book, leather binding and chemise with leather onlays, sterling silver, and wire, © Susan Allix, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Richard Caspole

    Susan Allix, designer and binder of Silver (London: Susan Allix, 2005), hand-printed miniature book, leather binding and chemise with leather onlays, sterling silver, and wire, © Susan Allix, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Richard Caspole
  • Bayntun-Riviere, designer and binder of Love Poems of John Donne (London: The Nonesuch Press, 1923), bound in 2009, leather binding with leather inlays, gold tooling, top-edge gilding, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Richard Caspole

    Bayntun-Riviere, designer and binder of Love Poems of John Donne (London: The Nonesuch Press, 1923), bound in 2009, leather binding with leather inlays, gold tooling, top-edge gilding, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Richard Caspole
  • Hannah Brown, designer and binder of Flowers from Shakespeare’s Garden: A Posy from the Plays, illustrated by Walter Crane (London: Cassell and Co. Ltd, 1906), bound in 2016, goatskin binding, with leather onlays, embroidered with silk and metallic threads, gold-plated brass, and carbon and gold tooling, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Richard Caspole

    Hannah Brown, designer and binder of Flowers from Shakespeare’s Garden: A Posy from the Plays, illustrated by Walter Crane (London: Cassell and Co. Ltd, 1906), bound in 2016, goatskin binding, with leather onlays, embroidered with silk and metallic threads, gold-plated brass, and carbon and gold tooling, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Richard Caspole
  • George Kirkpatrick, designer and binder of Atlas of the British Empire Reproduced from the Original Made for Her Majesty Queen Mary’s Doll’s House (London: Edward Stanford Ltd., 1928), bound in 2004, goatskin binding with leather onlays, in globe, tooled with leather onlays and silver enclosure, and rosewood box with turned interior, lined with calfskin and tooled with constellations, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Richard Caspole

    George Kirkpatrick, designer and binder of Atlas of the British Empire Reproduced from the Original Made for Her Majesty Queen Mary’s Doll’s House (London: Edward Stanford Ltd., 1928), bound in 2004, goatskin binding with leather onlays, in globe, tooled with leather onlays and silver enclosure, and rosewood box with turned interior, lined with calfskin and tooled with constellations, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Richard Caspole
  • Michael Wilcox, designer and binder of “The Poet of Them All”: William Shakespeare and Miniature Designer Bindings from the Collection of Neale and Margaret Albert, edited by Elisabeth Fairman (New Haven: Yale Center for British Art, 2016), bound in 2019 (detail), balancing spine, with tongue-in-slot board attachment, covered in scarf-joined goatskin, with leather onlays, gold tooling, vintage endpapers of Cockerell marbling (1953), top-edge gilding, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Richard Caspole

    Michael Wilcox, designer and binder of “The Poet of Them All”: William Shakespeare and Miniature Designer Bindings from the Collection of Neale and Margaret Albert, edited by Elisabeth Fairman (New Haven: Yale Center for British Art, 2016), bound in 2019 (detail), balancing spine, with tongue-in-slot board attachment, covered in scarf-joined goatskin, with leather onlays, gold tooling, vintage endpapers of Cockerell marbling (1953), top-edge gilding, Collection of Margaret and Neale Albert, Yale JD 1961