Victorian Idyll

Thursday, January 24, 2019
Sunday, April 21, 2019

From the 1860s, Frederick Walker (1840–1875) was at the heart of a group of like-minded artists with roots in periodical and book illustration. Known from early on as Idyllists, they frequently ventured beyond the idyllic in the sense of a pastoral paradise. While the Idyllists may have avoided the harsher realities of urban life and the mechanistic aspects of modern agriculture, they nevertheless struggled with subjects of poverty, homelessness, and labor unrest. This focused display also featured the work of the highly successful Sir Hubert von Herkomer (1849–1914), who was deeply appreciative of Walker’s art and shared many of the Idyllists’ themes.

Victorian Idyll celebrated the gift of works that was made to the Center from the collection of the late Lee MacCormick Edwards, a noted scholar of Victorian art and the author of the major scholarly treatment of Herkomer. Generously supported by the Dr. Lee MacCormick Edwards Charitable Foundation, the exhibition was curated by Scott Wilcox, Deputy Director for Collections at the Center.

Frederick Walker, The Harbour of Refuge (detail), 1875, graphite, watercolor, and gouache on paper, Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen