In 1600, a group of businessmen pooled their resources to found the British East India Company. Originally envisioned as a trading corporation—moving cottons, fruits, opium, silks, spices, tea, and more—the Company would become an aggressive agent of British imperialism. Against this volatile backdrop of colonial expansion and exploitation, British, Indian, and Chinese artists forged new relationships and produced innovative works of art.
“Company painting” became a prevalent umbrella term for artwork made by Indian artists for patrons of the British East India Company. Drawing on the YCBA’s rich collections, this exhibition is the first to challenge and critically rethink the phrase by considering the relationships among artists trained in South Asia, Europe, and China. Encompassing hand-colored aquatints, finely rendered drawings, oil portraits, and watercolors, the exhibition highlights works by artists whose names are less familiar or no longer known alongside well-established ones.
The exhibition will be accompanied by a comprehensive catalogue featuring an international group of authors and scholars.
Top image
Unknown artist, Breadfruit Plant (Artocarpus altilis), ca. 1800, watercolor, gouache, and graphite on paper, Yale Center for British Art, Paul Mellon Fund
