News and Press

Announcing "Bill Brandt | Henry Moore"

Scholars and YCBA staff examine works on paper in the museum's Study Room

Announcing Joint Postdoctoral Fellowship with the Center for Advanced Study in the Visual Arts

285 sticks arranged in a circle in the museum's Library Court, surrounded by paintings on the walls.

Announcing "Richard Long: Quantock Wood Circle"

Njideka Akunyili Crosby, "'The Beautyful Ones' Series #1 c," 2014, acrylic, photographic transfers, and colored pencil on paper, Courtesy of the artist, Victoria Miro, and David Zwirner

Announcing The Hilton Als Series: Njideka Akunyili Crosby

Man with a beard, wearing a white graphic t shirt andblack cap stands against a rocky wall with palm trees in background.

Announcing Inaugural Henry Moore Foundation Artist in Residence

Cecily Brown's "The Hound with the Horses' Hooves" on view in the Library Court

Cecily Brown's "The Hound with the Horses' Hooves" on view in the Library Court

Installation of "Marc Quinn: History Painting +" at the Yale Center for British Art, photo by Richard Caspole

Announcing "Marc Quinn: History Painting +"

Bridget Riley, "Measure for Measure 36 (detail)," 2018, acrylic on canvas, Private collection of Ivor Braka © 2022 Bridget Riley, All rights reserved

Announcing Bridget Riley: Perceptual Abstraction

Exterior from the corner of Chapel and High Streets, Yale Center for British Art, photo by Richard Caspole

Gateway to British Art Prizewinners 2022

William Hodges, A View of Matavai Bay in the Island of Otaheite [Tahiti] (detail), 1776, oil on canvas, Yale Center for British Art, Paul Mellon Collection

Whose View? The Limitations of Labels and a Rereading of Hodges’s "A View of Matavai Bay in the Island of Otaheite [Tahiti]"

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