Exhibitions

Bridget Riley: Perceptual Abstraction

On view through July 24

Exhibitions

Marc Quinn: History Painting +

On view through October 16

Film & Media Screenings

Ori Gersht's "The Forest"

Talks

Art in Context | Anxious Analogies: Bridget Riley and Computers in the 1960s

Talks

at home: In Conversation | Bridget Riley's Drawings: From Studio to Museum

Talks

at home: Digital Docents | Bridget Riley

Exhibitions and Programs

Britain in the World installation, fourth-floor galleries, Yale Center for British Art, photo by Richard Caspole

Britain in the World: A Display of the Collections

Friday, September 25, 2020–Saturday, December 31, 2022

Bridget Riley, "New Day" (detail), 1988, oil on canvas, Bridget Riley Collection © 2022 Bridget Riley, all rights reserved.

Bridget Riley: Perceptual Abstraction

Thursday, March 3–Sunday, July 24, 2022

Film still from Ori Gersht's The Forest (2005), Yale Center for British Art, courtesy of the artist, © Ori Gersht

Film & Media Screenings

Ori Gersht's "The Forest"

Monday, April 11, 2022, 10 am–June 30, 2022, 11:59 pm

Marc Quinn, "History Painting (London, 8 August 2011) (detail)," 2011, oil on canvas, © 2022 Marc Quinn Studio

Marc Quinn: History Painting +

Friday, May 20–Sunday, October 16, 2022

Bridget Riley, "Current" (detail), 1964, synthetic emulsion on board, The Museum of Modern Art, Philip Johnson Fund

Art in Context | Anxious Analogies: Bridget Riley and Computers in the 1960s

Tuesday, June 28, 2022, 12:30–1 pm

Children making crafts, using brightly colored pipe cleaners, pompoms, tape, markers, and other supplies at the Yale Center for British Art, photo by Harold Shapiro

Family Programs

Portico Projects | Color and Abstraction

Tuesday, June 28, 2022, 2–4 pm

Centerpieces

New light on the group portrait of Elihu Yale, his family, and an enslaved child

Publications

Explore Louis I. Kahn's final building

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