Exhibitions

Bridget Riley: Perceptual Abstraction

On view through July 24

Exhibitions

Marc Quinn: History Painting +

On view through October 16

Film & Media Screenings

Ori Gersht's "The Forest"

Talks

at home: In Conversation | Bridget Riley's Drawings: From Studio to Museum

Talks

at home: Art in Context | Grayscale: On Bridget Riley's ""Breakthrough"" into Color

Talks

at home: Digital Docents | Bridget Riley

Exhibitions and Programs

Britain in the World installation, fourth-floor galleries, Yale Center for British Art, photo by Richard Caspole

Britain in the World: A Display of the Collections

Friday, September 25, 2020–Saturday, December 31, 2022

Bridget Riley, "New Day" (detail), 1988, oil on canvas, Bridget Riley Collection © 2022 Bridget Riley, all rights reserved.

Bridget Riley: Perceptual Abstraction

Thursday, March 3–Sunday, July 24, 2022

Film still from Ori Gersht's The Forest (2005), Yale Center for British Art, courtesy of the artist, © Ori Gersht

Film & Media Screenings

Ori Gersht's "The Forest"

Monday, April 11, 2022, 10 am–June 30, 2022, 11:59 pm

Marc Quinn, "History Painting (London, 8 August 2011) (detail)," 2011, oil on canvas, © 2022 Marc Quinn Studio

Marc Quinn: History Painting +

Friday, May 20–Sunday, October 16, 2022

Curators Cynthia Burlingham, Jay A. Clarke, and Rachel Federman

at home: In Conversation | Bridget Riley's Drawings: From Studio to Museum

Friday, July 8, 2022, 12–1 pm

Bridget Riley, "Arrest 2" (detail), 1965, synthetic emulsion on canvas, The Nelson-Atkins Museum of Art

at home: Art in Context | Grayscale: On Bridget Riley's "Breakthrough" into Color

Tuesday, July 19, 2022, 12:30–1 pm

Centerpieces

New light on the group portrait of Elihu Yale, his family, and an enslaved child

Publications

Explore Louis I. Kahn's final building

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