Edwardian Opulence: British Art at the Dawn of the Twentieth Century
Edited by Angus Trumble and Andrea Wolk Rager
With contributions by A. Cassandra Albinson, Tim Barringer, Pamela Fletcher, Imogen Hart, Elizabeth C. Mansfield, and Alexander Nemerov
Published by the Yale Center for British Art in association with Yale University Press
420 pages, 9.8 x 5.9 x 0.6 inches, 380 illustrations, cloth, ISBN 978-0300190250
Publication date: March 26, 2013
The Edwardian age was as brief as the Victorian era that preceded it was long. It has been depicted as an indolent summer afternoon of imperial and elite complacency, but also as a period of rapid political, economic, and artistic change, culminating in the First World War. This magnificent book explores themes of power, nostalgia, and a contrasting lightness of touch that characterized the period. Issues of creation, consumption, and display are examined through a range of objects, including portraits by Sargent and Boldini, diamond tiaras and ostrich-feather fans, jewel-like autochrome color photography, and a spectacular embroidered gown that belonged to the American-born Vicereine of India. Spanning divides of class and geography, this book identifies opulence and leisure as driving forces for the domestic and imperial British economic engine in the early years of the twentieth century.
Angus Trumble is Senior Curator of Painting and Sculpture at the Yale Center for British Art. Andrea Wolk Rager is Visiting Assistant Professor at Case Western Reserve University.