Video Overview

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Sir Joshua Reynolds, Charles Stanhope, third Earl of Harrington (detail), 1782, oil on canvas, Yale Center for British Art, Paul Mellon Collection

A Yale Center for British Art Exhibition Addresses Slavery in Portraiture

Scott Wilcox, Deputy Director for Collections at the Yale Center for British Art (now Senior Scholar)

Scott Wilcox on British Art and Online Access

Constance Clement, Deputy Director at the Yale Center for British Art

Constance Clement Speaks on Building Conservation Project

John Constable, Extensive Landscape with Grey Clouds (detail), ca. 1821, oil on paper on panel, Yale Center for British Art, Paul Mellon Collection

Constable’s Cloud Studies: Personal Thoughts about His Most Personal Works

The artist Sir Anthony Caro (1924–2013) converses with Julius Bryant, Keeper of Word and Image, Victoria and Albert Museum, London

Caro: Close Up

Unknown artist, sixteenth century, after Lucas de Heere, An Allegory of the Tudor Succession: The Family of Henry VIII (detail), ca. 1590, oil on panel, Yale Center for British Art, Paul Mellon Collection

Lisa Ford on “Allegory of the Tudor Succession: The Family of Henry VIII”

Helmingham herbal and bestiary (detail), circa 1500, folios 16v-17r, Yale Center for British Art, Paul Mellon Collection

Elisabeth Fairman on “Helmingham Herbal and Bestiary”

John Baskett, friend and art advisor to the Center’s founder, Paul Mellon

John Baskett on “Staffa, Fingal’s Cave”

Sir Peter Paul Rubens, Peace Embracing Plenty (detail), between 1633 and 1634, oil on panel, Yale Center for British Art, Paul Mellon Collection

Matthew Hargraves on “Peace Embracing Plenty”